Yayoi Kusama — Infinity Nets (1990)

Yayoi Kusama (b. 1929) is one of the most influential and globally recognised artists of our time, a key figure in the development of Minimalism, Pop Art and Conceptual Art whose practice rests on repetition, accumulation and the dissolution of identity. Her celebrated motifs — the Infinity Nets above all — turn the painted surface into an immersive, mental space. Her work is held in the collections of the major international museums, among them MoMA, Tate, Centre Pompidou and the Whitney Museum.

Infinity Nets (1990) belongs to one of the most iconic and historically consequential series of Kusama's production, developed from the late 1950s and constituting the conceptual core of her research. The surface is built through a dense net of repetitive marks — small interconnected arcs extending uniformly across the canvas — an all-over structure that eliminates any visual hierarchy, dissolving the distinction between figure and ground and creating a continuous, potentially infinite pictorial field. The obsessive rhythm of the brushstroke generates a tension between control and accumulation: every mark belongs to a rigorous system yet contributes to a perception that is almost hypnotic and immersive, the reticulated weave expanding beyond the physical limits of the canvas towards a cosmic, boundless dimension.

In these works Kusama gives visual form to the idea of self-obliteration, the dissolution of the self within an infinite space. The result is a vibrant, meditative surface in which repetition and variation build a profound perceptual experience — and it is precisely this series, in small and mid-scale formats, that collectors follow most closely for its liquidity, its historical legibility and its centrality within the artist's oeuvre.